{"id":4301,"date":"2016-08-26T17:17:16","date_gmt":"2016-08-27T02:17:16","guid":{"rendered":"https:\/\/folio.solidsight.net\/?p=4301"},"modified":"2025-11-01T12:49:48","modified_gmt":"2025-11-01T21:49:48","slug":"steven-lederman-august-2016-image-submissions","status":"publish","type":"post","link":"https:\/\/folio.solidsight.net\/?p=4301","title":{"rendered":"Steven Lederman &#8211; August 2016"},"content":{"rendered":"<p><strong><a href=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4292 size-medium\" src=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK-300x141.jpg\" alt=\"MISSINGLINK\" width=\"300\" height=\"141\" srcset=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK-300x141.jpg 300w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK-150x70.jpg 150w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK-800x375.jpg 800w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/MISSINGLINK.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>&#8220;THE MISSING LINK&#8221; &#8211;<\/strong>\u00a0 I decided to submit this after being inspired by a negative image of Dorothy Mladenka&#8217;s in an earlier Folio loop, or in a different folio (MF3D II?). \u00a0I actually shot this during work hours. \u00a0I was hired to shoot an industrial video and decided to bring my TL-120-1 with me. \u00a0After Principal Photography for the industrial\u00a0video was completed, \u00a0I wandered around the factory pretending to take production stills. \u00a0 I originally planned to get this roll developed by dr5 &#8211; but for some forgotten\u00a0reason that didn&#8217;t occur. \u00a0Captured with the aforementioned TL-120-1 on some type of Ilford black and white film. \u00a0I believe I used a Vivitar 283 fill flash.<\/p>\n<p><strong><a href=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4293 size-medium\" src=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT-300x151.jpg\" alt=\"STRUNGOUT\" width=\"300\" height=\"151\" srcset=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT-300x151.jpg 300w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT-150x76.jpg 150w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT-800x403.jpg 800w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/STRUNGOUT.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>&#8220;STRUNG OUT&#8221; &#8211;\u00a0<\/strong> one of the plusses of the TL-120-1 is its ability to capture greatly-detailed close-up portraits. \u00a0This image was captured \u00a0during a jam session of &#8220;The Ass Moles&#8221; on December 20, 2008. \u00a0Despite the fact that we never released a commercially-available recording, we did commission Cal Schenkel (of Frank Zappa record cover art fame) to create a piece of Ass Moles-inspired art for us. \u00a0TL-120-1 using Fuji Film (Provia?) with a Vivitar 283 flash.<\/p>\n<p><strong><a href=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4286 size-medium\" src=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD-300x146.jpg\" alt=\"BARNTOBEWILD\" width=\"300\" height=\"146\" srcset=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD-300x146.jpg 300w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD-150x73.jpg 150w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD-800x390.jpg 800w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/BARNTOBEWILD.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>&#8220;BARN TO BE WILD&#8221; &#8211;<\/strong>\u00a0 In 2014 I learned a slew of farms were\u00a0slated for demolition so that condos could be erected on their land. \u00a0 This is one of the images from the resulting photo excursion that documented some of the doomed farm buildings. \u00a0This image was captured with a TL-120-55 modified with Sam Smith&#8217;s machined lens board, using Scala film and processed in dr5&#8217;s DEV 2 (sepia).<\/p>\n<p><strong><a href=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4287 size-medium\" src=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE-300x146.jpg\" alt=\"ESSENTIAL ELEMENTS FOR LIFE\" width=\"300\" height=\"146\" srcset=\"https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE-300x146.jpg 300w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE-150x73.jpg 150w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE-800x388.jpg 800w, https:\/\/folio.solidsight.net\/wp-content\/uploads\/2016\/08\/ESSENTIAL-ELEMENTS-FOR-LIFE.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>&#8220;ESSENTIAL ELEMENTS FOR LIFE&#8221;<\/strong> &#8211; No need for an explanation. \u00a0Captured with a TL-120-1 on Fuji 220 film using a modified winding sequence (with the red window gaffer taped shut). \u00a0Processed with a CPP-2\u00a0Jobo\u00a0unit in my basement bathroom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;THE MISSING LINK&#8221; &#8211;\u00a0 I decided to submit this after being inspired by a negative image of Dorothy Mladenka&#8217;s in an earlier Folio loop, or in a different folio (MF3D II?). \u00a0I actually shot this during work hours. \u00a0I was hired to shoot an industrial video and decided to bring my TL-120-1 with me. \u00a0After [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[522,76],"tags":[641,166,413,227,490,537,73,415,284,124,48,539],"class_list":["post-4301","post","type-post","status-publish","format-standard","hentry","category-a29","category-folioa","tag-220-format-film","tag-dr5","tag-fuji","tag-ilford","tag-jobo","tag-negative","tag-scala","tag-sepia","tag-steven-lederman","tag-tl120-1","tag-tl120-55","tag-vivitar-283"],"_links":{"self":[{"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/posts\/4301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4301"}],"version-history":[{"count":5,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/posts\/4301\/revisions"}],"predecessor-version":[{"id":4331,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=\/wp\/v2\/posts\/4301\/revisions\/4331"}],"wp:attachment":[{"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/folio.solidsight.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}