Borobudur is the largest Buddhist temple in the world. Located in Central Java, Indonesia, it’s a wonderful place to visit. Before heading to Indonesia, I wanted to make sure to put this on my list of places to visit. It’s an incredible temple with layers and layers (like a layered cake) representing the different stages of enlightenment to reach a final state of Nirvana. It was built originally in the mid-8th Century to 9th Century AD. Once it was abandoned and then ‘rediscovered’ by a British Colonist who then hired a Dutch engineer to excavate and rebuild the structure. It took his team over 4 years to rebuild, however volcanic eruptions, erosion, and even terrorists have beat the structure down throughout the years. Luckily, with the help of UNESCO and tourism, it has been restored to as close to what they think it was like in it’s original state as possible. We visited it in a different way at first, in fact it was from a distance that I got a shot of it in the early morning pre-dawn light. The visit consisted of a hike and motorbike ride to an adjacent hillside. We later went back down the valley and into the entrance the same day. Made for a long day for sure! This shot is of a bas relief, one of over 2,600, that covers the structure. A must see if you’re ever in Java! Shot with my Sputnik on Fuji Provia 100F film.
Tag Archives: Sputnik
Domkhar Festival, Bumthang, Bhutan
The Domkhar festival is a wonderful experience. Before we left on our trip, we planned our trip around two festivals. Typically most occur in the Spring and Fall in Bhutan, this was in the Springtime. If you do plan on going to Bhutan during those times of year, your travel agent and/or guide will almost certainly schedule in a festival or two for you to see. The area of Bumthang was the furthest east that we travelled in Bhutan, and it’s an area that I would highly recommend. The festival lasts for about 3 days, and we visited on it’s first day. The festival is dedicated to the birth anniversary of Guru Rinpoche, the second Buddha, or more importantly the father of Buddhism in Bhutan. Monks dress as animals and other characters, and display themselves in lavish costumes. They dance in a mesmerizing choreography. We did manage to get a chance to explore the village of Domkhar as well, which felt like you were entering into a time warp going back about 2 centuries. All in all, it was an awesome experience and not your everyday trip to the beach! Shot this with my Sputnik on Fuji Provia 100f film.
Punakha Dzong, Punakha, Bhutan
As we walked over the main bridge to the Dzong, a small crowd of monks were walking up a path towards us. Knowing full well that this was a good opportunity to capture them, I ran ahead of my group, as the lighting was nice and dramatic. Happily, I managed to snap a couple shots off before they walked past. What’s great about Bhutan is the sheer beauty and photo-ops at every corner. Unfortunately, you must be accompanied during your entire stay in Bhutan, government rules. Luckily however, it’s a great way to see the country since your guide and driver are always at your beck and call, are extremely knowledgable, and are always striving for you to have a great experience no matter what. If you see a photo op on the side of the road, they will gladly stop! We had them stop actually quite often. We are not used to being ‘pampered’ on our trips, and in fact we are usually quite uncomfortable and ‘unguided’ most of the time, since we tend to travel on a budget. However, Bhutan was an exception for us and since we had no choice but to have a guide, we embraced it with loving arms! If you’re even remotely interested in visiting Bhutan, please message me and I will gladly give you all the details. Shot on my Sputnik, with Fuji Provia 100F film.
Punakha Dzong Entrance, Punakha, Bhutan
The Punhaka Dzong is the second oldest and the second largest Dzong in Bhutan, and arguably the most impressive. It’s surrounded by a converging river, which adds to it’s splendor. Dzongs used to be fortresses during wartime, but now are used for government offices and a religious monastery. My favorite view of the Dzong is from the bridge leading over the river to the main entrance. This was a more crowded part of Bhutan, mainly because it was closer to the west side of the country, where most tourists tend to gravitate to. This Dzong was by no means, an exception. Due to this, I had to ‘nudge and dodge’ my way over to the railing to get the shot. This was taken with my Sputnik, on Provia 100F film.
Chendebji Chorten, Trongsa, Bhutan
There are a plethora of temples and monasteries in Bhutan, but this Chorten is unusual, even for Bhutan. Dedicated to protect Bhutan’s people from evil spirits, it was built along the same framework as the Bouddhanath Stupa in Nepal. When we arrived, we were alone except for one lone woman who was walking the grounds, praying. We slowly took our time crossing the field, while I tried to get the perfect shot of the Chorten with the full 3D effect. Luckily, the woman decided to make her way over to us, and I got this shot. Unfortunately my Sputnik wasn’t performing well on this trip and was mostly due to my left lens being out of focus. However, this shot was acceptable to me. In the background on the left, you can see our guide, making his prayer rounds at another nearby smaller temple. Shot this on Fuji Provia 100F film.
Bazaans MF A0204 (glamour challenged)
With this image, we are trying to convey the model’s struggles trying to stay afloat in an ocean of popular media glamour imagery, which features predominantly thin women. Bazaans has a “Rubenesque” figure, so her self-image is constantly challenged as being inadequate. What is she doing there? Is she vomiting some of the published pop glamour imagery? I need your help: let me know if you can figure out what it all means.
This was shot in studio with strobes, I think with my “old” Sputnik.
Selene MF D0514 (glamour challenged)
I’m not sure what to title this shot. I’m not sure what exactly I’m doing with this composition or concept. About five years ago, a vague creative idea started to form in my mind, that intended to be a “challenge” to glamour imagery in general. The idea was to create nominally pinup, or nude, or glamour type imagery, but to embed into the image something that was disturbing. It might be an an odd or disturbing detail that would upend an otherwise tranquil scene, an “easter egg” that would only be discovered if you explored the image relatively carefully and closely. Or it might be an image that more directly challenges the conventions of glamour photography, or that shows in some other way the “truth” behind a model’s reality, which might be quite the opposite of what the picture superficially conveys. This project is naturally self-referential and introspective, as it examines my own critical thoughts on the nature of nude or erotic image making, what it means for the artist, the model(s), or even the audience… and by taking that examination directly to the audience, I hope to challenge the audience to examine itself.
So this picture of Selene is one of several attempts I’ve made over the past few years at creating a “glamour challenged” or “challenged glamour” type of image – I’m still finding my way in this project, and can’t say that I feel any of the resulting images so far are particularly successful. I am still dissatisfied with them.
The day began with Selene and I looking for some pretty, natural spot in which to shoot, and after some hours, we ended up at this river not too far from the roadside. We set up and shot numerous standard or ordinary nude and semi-nude images of her posing among the rocks in this little river. She knew that in the end I’d be asking her to be getting into the water, but by the time that moment came, she was reluctant – she’d already noticed how cold the water was, after having put her foot into it several times. But she was a champ, and finally took the plunge. She gave quite a shout upon first entering the water, but then concentrated on giving me some poses. I had wanted her to look both “attractive” but somehow in trouble, distressed or drowning (?) in this river – and I thought she came up with some passable looks. I think we were both surprised by how she hardly needed to act looking uncomfortable, or indeed of distressed. As we quickly learned the water was indeed brutally cold, and after only thirty seconds to a minute, she needed to come out. I wrapped her in blankets, shivering violently, and it took her probably twenty minutes to recover from this seemingly innocuous dip in the water.
Lock Machinery, C & O Canal
This device is mounted next to Lock 10 on the old Chesapeake & Ohio Canal, near Cabin John, Maryland. I think it opened & closed a sluice gate that would flood the lock to raise the canal boats up, as they travelled up the Potomac from Washington. Unfortunately, the canal fell into disrepair & stopped being used in the early 20th century. But it was made into a national park, and some of the locks & aqueducts are maintained as historic tourist attractions.
I took this photo with my Sputnik on Provia 100F, around sunset under a cloudy sky. I think my exposure was 2 seconds. I carried a digital SLR with me to serve as my exposure meter (and to take a few 2D photos & cha-chas.)
–Paul Gillis
Ring in the Rock
In August I was trying to take some pictures near the Chain Bridge, which crosses the Potomac from Arlington to D.C. It’s a fairly standard steel girder bridge, but a much earlier bridge at the same spot was a chain suspension bridge, and the name apparently stuck. I spotted this iron ring embedded in the rock near the western abutment; perhaps it was a part of the old suspension bridge.
Taken with my Sputnik on Provia 100.
–Paul Gillis
Fairview Lake at Dusk
A small lake near my home in Falls Church. I took this with one of several Sputniks I have, the only one that has had internal flocking & light seals added. Unfortunately, its lenses don’t seemed to be closely matched, or maybe they just need their relative focus and their shutters adjusted. This was taken after sunset with a ten second exposure (or maybe longer). Luckily there wasn’t much wind.
–Paul Gillis
Jaguar

Jaguar
While walking into the center of town to visit the local museum my younger daughter and I came across this very nice Jaguar parked in the middle of the town square. Unfortunately it was not parked in a way that would allow me to get the town fountain and the museum in the background. Later, when we got out of the museum, the car was gone.
This was taken with a handheld (string monopod) Sputnik on Fuji Provia 100F (aka RDP III). The film was developed and scanned by TheDarkroom.
Road into town

Road into town
This is the road into Schiltach, Germany. We stayed at a nice little hotel in town during our vacation to Germany.
This was taken with a handheld (string monopod) Sputnik on Fuji Provia 100F (aka RDP III). The film was developed and scanned by TheDarkroom.
University Housing

University Housing
Based on Google translate, this building is apparently student housing for a fraternity associated with the university in Heidelberg. It is right next to Heidleberg Castle, where I was standing when I took this photo. I guess I went to the wrong university.
Taken with a Sputnik on Fujifilm Provia 100F (aka RPD III). The film was developed and scanned by TheDarkroom.
Schloss Schramberg Ruins

Schloss Schramberg Ruins
These are the ruins of the castle on the hill above the town of Schramberg, Germany. My wife’s maternal Grandfather was from Schramberg, and we have a photo of him from almost 100 years ago sitting on the edge of the ruins with the town down below in the background.
This was taken with a handheld (string monopod) Sputnik on Fuji Provia 100F (aka RDP III). The film was developed and scanned by TheDarkroom.
Three Sisters – Australia
This is an area not far from Sydney Australia. When I visited Australia in 2002 the only medium format cameras I owned were two Sputniks. I shot a number of successful hypers with the two cameras, covering one lens on each and advancing the film one exposure at a time. I think I had the two cameras four feet apart on separate tripods here. Velvia 100F.