Tag Archives: long exposure

CVLE Bike Fest

by Boris Starosta

A couple years ago, we had a new bike race organized in my home town of Charlottesville. I like this subject matter for the challenge of capturing the essence of the sport, though it is also a bittersweet experience to stand on the sidelines with a camera, as I have several decades of bike racing experience, and I do miss participating (my last racing was ten years ago, and I’m fairly sure I finally quit for good).

I knew this shoot was going to be “low yield,” but I love these kinds of dynamic images in 3d. Few people have shot this style in MF3d, and it’s no surprise, because getting a good shot – where at least a few parts of the image are not blurred – is basically a crapshoot. Indeed, out of four rolls shot with two spuds, I got at most three or four images that meet that standard! For more backstory (and images) from this shoot, please visit my patreon page about it here.

There are several races during the day, but only two of the races have large fields of experienced riders, riding tightly packed, which is the most exciting. Thus, I shot with two Sputnik cameras, because during any given race, there’s no time to reload the camera; that gave me twelve exposures for each of those two races. Even before I started shooting, I tried a couple of different ways to aim and pan.  I discovered very quickly that trying to look down into the mirror finder was not going to work – too confusing!  I shot about half the material with my eye at the camera, looking through the “sport finder,” and the other half with the camera more or less at arms length, held out in front of me, aiming by “feel” – I felt this helped me keep the panning motion of the cameras very smooth.  I used shutter speeds of 1/10 and 1/25 second, which was about right for the camera apertures of f32 and f22.

Sputnik sport finder

(For those unfamiliar with it, here’s the “sport finder” mode in the Sputnik.  Note one hazard of using the sport finder: because you are not using the middle lens to aim, you have no feedback about whether or not the lens caps have been removed;-)

OBX pier

by Boris Starosta

A couple years ago we rented a cottage with another family for spring break in the Outer Banks, NC. This image was made one evening, about twenty minutes after sunset. Shot at the usual f32 with my sputnik, on Fuji Provia, requiring about thirty seconds of exposure. This was my goal: to blur the waves into a fog. I’d like to find another opportunity someplace to make an image like this, but with bigger waves! (taller fog)

I had brought a bunch of film, and had hoped to make more MF3d images whilst in “OBX,” but ended up with so much other family related stuff to do, that this motif was the only one that ended up on MF film.

The Built Environment – Architecture and Machines

by Boris Starosta

Ages ago, I shot this view of the (then) new UVA Hospital with a Hasselblad, maybe two of them on a bar – in any case this is a cha-cha to obtain the necessary stereobase, which was probably around a foot, judging from the parallax in the image. I imagine the exposure was around 30 seconds. Extra credit for the astronomers in the group that can identify the stars in the sky:

UVA Hospital, Charlottesville, VA

My “day job” is technical illustration. My clients are engineers at the University of Virginia, mostly. One day I went to visit a lab, and discovered this gigantic machine. Impossibly complex in its construction, for all I knew it could have been a time machine. So I started calling it the “time machine,” whenever I mentioned to my engineer client, and that I’d like to come in some day to photograph it. The title of the image that I finally made says about the same thing. For real, this is a Directed Vapor Deposition machine. A big electron gun hits one material, vaporizes it, and the vapors are deposited onto another material. Believe it or not, it is not a custom made machine. You buy these things retail. Cost? about $1M:

Temporal Continuum Distortion Analyzer (Posterior Aspect)

In or around 2012, I had the opportunity to photograph inside a retired coal-fired power plant not far from where I live. This plant, in Bremo Bluff, VA, was the first “automatic” coal fired power plant built in USA. “Automatic” meant in those days that most of the valves, flaps, conveyor belts, and other machinery was centrally controlled. Which means, there was a central control room, where through the use of electrical switches, one could remotely actuate any of the hundreds of valves in the plant – as these were electrically actuated. I’m sure there was a measure of fear or distrust in the system early on, as plant operators were instead used to shouting control commands at a team of plant workers, on whom one could surely better rely to get the job done than the new-fangled electric motors.

I worked on three separate days in the plant to make photographs, using with great pleasure John Thurston’s custom TL-120-55 for the wide angle views. I am forever indebted to John for his generous loan of the camera to me that year. In this view we have my old friend Chuck Holzner up there on another level (see the white hard-hat?) taking some of his own pictures. Along the left side of the view, rising up through the various levels, is one of the four burners in the plant. These are 100 foot tall furnaces (not counting the smokestack outside the building!), that included Ash removal apparatus at the very bottom, a furnace chamber 1/3 of the way up including hundreds of pipes for heat exchange (i.e. for boiling water, making steam), and at the top a variety of filters to capture particulates in the exhaust. I’ll guess this was a three seconds exposure:

Bremo B 418 Main Room

Elsewhere in the plant, I captured this view of just a tiny fraction of the pipes and plumbing that, along with grated floors and vast spaces, characterized the place. Probably a thirty seconds exposure in this dark spot:

Bremo C 515 “Pipefitter’s Nightmare”

I’ll close with an image obtained in or around 2014 at the United States Botanical Garden in Washington, DC, where I fell in love with the “Jungle” greenhouse that is central to the place. In this three-stories tall greenhouse, one can commune with a variety of lush tropical plants, even in the deep of winter, and witness the slow motion battle between the built environment and the imprisoned flora. This picture was taken with a Sputnik, a good bit after sunset – I like the interplay of just a little natural light in the background, with artificial lights in the foreground. I imagine about a ten or twenty second exposure.

USBG-1302

The Finally Part 2

by Bob Venezia

The Finally, part 2

End of the fireworks show where the pyrotechs pull out all the stops

As the Flying Karamazov Brothers would say as they approached the end of their performance, “And now, the part of the show you’ve all been waiting for. The Finally.”
End of the fireworks show where they pull out all the stops.
There is a strange set of blinking lights running through the middle of the photo. Maybe a drone?

4 From Bob Venezia

by Bob Venezia
4 From Bob Venezia

4 From Bob Venezia

Timing was very unfortunate this year. I blame the Coronavirus. I received 2 folios within days of my state being identified as one of the world’s hotspots. The problem was compounded when several of my coworkers were ordered home because of potential exposures to the virus. For a while I was doing the work of 5 people. Even though by now there are 4 of us doing the work of 5, I’ve still been working long hours and not getting enough rest.

Sorry to have held onto the folio for so long. I’ll try to add some context to the photos in the coming days.

Skydiver is among my all-time favorite carnival ride shots. It’s the only time I captured the intermittent movement of this ride while it was loading. (My other captures of the ride show a more boring seamless disk when the ride was in full motion.

Photographers Playground is a slight hyperstereo shot at Bryce Canyon. At the time I was cursing these people who were messing up my nature shot. But clearly I ‘m an idiot, as you can see that they make the shot. Shot with Hasselblads at about 18 inches separation.

Fireworks (Sorry, I’ve already sent off the folio and don’t remember the exact title) is another of my hyper shots with forty feet separation.

And Edison Advances is shot with twin Hasselblads in a macrobox with a beamsplitter.

Independence Day Fireworks 2-4

by Bob Venezia
Independence Day fireworks over Seattle's Lake Union

Independence Day fireworks over Seattle’s Lake Union

Taken with twin Hasselblad 500Cs spaced 40 feet apart and triggered with an ingenious device created by my good friend James Baker. The photo is taken from James’ roof. There will be no public fireworks show in Seattle in the year of 2020. But next time I shoot them I expect to be able to trigger the cameras wirelessly, using motorized film winders. Looking forward to that!

Seattle Skyline from Jose Rizal Bridge

by Bob Venezia
Seattle Skyline from the Jose Rizal Bridge

Seattle Skyline from the Jose Rizal Bridge

I’m including this photo because I think it demonstrates a point about composition and fusion. The rail on the bridge is too close in the image, but It works because the line of trees behind it have turned to featureless black and have separated the railing from most of the rest of the shot. I didn’t do that intentionally. I’m not that smart! (There is a small stretch of road that meets the railing that you can see in one image and not the other). The point is that the darkness of the trees act as a separator making it like 2 photographs — the close railing and the far city, so it’s not so difficult to fuse. If there had been a close vertical element (like a tall signpost) that passed through both the near and far parts of the image it couldn’t have worked.

Some notes about this image: The Jose Rizal Bridge is a favorite spot for photographers, and you can imagine why. You need a long exposure to get traffic trails, but the bridge bounces horribly when the frequent buses pass by, so you need to time your shots to avoid them. The image suffers from lens flare that could have been avoided had I been more attentive. And the railing is painted with the ugliest of insitutional green paint, but under the vapor streetlights it looks like solid gold!

Yangshuo, Guilin, Guangxi Province, China 2018

by Brent Osborne

They say that ‘Guilin is the best scenery in Guangxi, and the best of Guilin is Yangshuo.’ There is no doubt that Yangshuo is a beautiful location in the world with it’s limestone Karst mountains and gorgeous waterways. I would highly recommend a visit. An added bonus is it’s little walkways and side streets such as this one at night. Mostly catered to tourists ( as most of this area is, for good reason), it’s an interesting area to visit. I enjoyed being able to safely take night shots throughout the town, and this shot being one of my favorites. Shot with my Sputnik MF3D camera on Fujifilm Provia 100f film.

Lijiang, Yunnan Province, China 2018

by Brent Osborne

Here’s another shot of Lijiang at night, of the famous waterwheels located in the south entrance of town. The water wheels were supposedly built roughly 800 years ago, around the time of the town’s origin. I wanted to capture the wheels in motion, so a nightshot it was to be! I enjoyed Lijiang immensely, despite the amount of tourists at any given time. The town has so much to see that it’s no wonder that it was so popular. Not to mention that I was there in the perfect time frame for weather. Shot on my Sputnik MF3D camera and shot on Fujifilm Provia 100f fim.

Lijiang, Yunnan Province, China 2018

by Brent Osborne

Lijiang is a beautiful city located in the Yunnan province of southwest China. A town full of cobblestones, old houses converted into hotels and storefronts, waterways and bridges galore. It’s no wonder that this town was overrun by tourists, mostly from China, and filled the streets day and night. I wanted to capture it’s beauty and it’s craziness at the same time. I figured a long exposure night shot would do the trick. This was shot with my Sputnik MF3D camera with Fujifilm Provia 100f film.

Shangri La, Sichuan Province, China 2018

by Brent Osborne

Shangri La is located near the province of Tibet in southwest China, in the Sichuan province. Not many tourists seemed to be there, despite the amount of local tourists in other parts of China. Maybe it was because there wasn’t much to see in the town except one of the largest prayer wheels in the world and a spectacular night time lighting of the local monastery. The town had been devastated by a large fire, destroying most of the original buildings only years prior to my visit.  Needless to say, we did not stay in Shangri La very long, only 2 nights, before heading south to the more interesting provinces of Yunnan and Guangxi. Shot on my Sputnik MF3D camera with Fujifilm Provia 100f film.