To get closer to the cars in the pits, I bought a pit pass, a couple of races ago. I think this was Marco Andretti, but there is nothing to confirm it in the image. Only my memory.
Shot with Provia 100f in my TL120.
Category Archives: FolioA
Packard Veteran
At a sales office, for a new condominium near my house, they had a display of antique cars for over a year. They have been prepared for display using a new technique (to me) where they sand down the layers of paint to deliberately show them. It makes for an interesting photographic experience. I chose a sunny Saturday morning to take a few shots of them.
After handing the folio to Steven Lederman, at a Tim Hortons in Scarborough, I saw the same cars, now parked to promote a different condo building.
Velvia 100 in my TL120.
Big Yellow Taxi
The Toronto Police always have a display at the Toronto Indy, and most years, they have this 1957 Chevy Police car. They had this yellow colour until some time in the 80’s. I seem to remember this particular car dressed with eyebrows and blinking eyes, made from fiberglass, over the windshield, as Blinky the Police car. It was taken to schools and to community events.
Anyhow, the title “Big Yellow Taxi” is from the Joni Mitchel song, of the same name, which she wrote when she lived in Toronto (stop me if you have heard this before). The idea of the police car, which looks like a taxi cab, leaves the song making more sense, than if you didn’t know it was supposed to be a police car, taking away her “old man”.
Shot on Provia 100f in my TL120.
Scrutinizing Sharpness (Ian Andvaag A33)
For this loop, I wanted to get some feedback on sharpness. I’ve been working through some of Mike Davis’ spreadsheets and trying to determine if I’m leaving a meaningful amount of sharpness on the table by using a TL-120 or Sputnik. As I understand it, Mike’s contention is that it is not possible to get critically sharp slides with appreciable depth using standard 60-65 mm stereo base and normal FL lenses. I’m rather surprised by this contention after having seen many fantastic slides taken with TL-120s and Sputniks, but I know it’s easy for one’s eyes to be fooled, and I would guess that 95% sharpness looks close to 100% sharpness. I will say that I was particularly struck by David Lee’s Yosemite Fall slide that was included by John Thurston this loop, which seems impossibly sharp, and was not taken with a standard stereo base. I believe the proper way to investigate sharpness would be to shoot some scenes with resolution test charts at various distances and then to side by side A/B comparisons with the resulting slides in a viewer. I wish I could ask Don for advice, I know he occasionally did tests like this 🙁
With all this in mind, I picked out several slides which I personally believe to be quite sharp, and I would appreciate any feedback from others about any perceived lack of sharpness. Cloud Inversion should probably be considered as the “base case”. I believe the nears were around 50′ and I focused around that point, shooting at f/16 I believe. I believe this should secure more sharpness than the eye is capable of detecting in a standard viewer. I don’t really know anything about a cloud inversion, maybe this should better be called thick fog that settled into the valley. Anyway, it was rather unexpected and interesting to see when I woke up to photograph at sunrise. There is a bit of retinal rivalry in the clouds and shadows as this is a chacha with a tripod and it takes some time to set up the tripod and adjust the framing. Apparently quite a few dinosaur fossils have been found in these badlands.
Cloud Inversion
I perceive Gem Lake Reflection to have a high degree of sharpness, however I don’t think it is objectively sharper than any of my other standard TL-120 slides. I believe the perceived sharpness is largely due to the adjacency effects caused by the high acutance first developer, along with the fairly visible grain.
Gem Lake Reflection
Bryce Hoodoo, yes this is a Sputnik shot, and there probably is some falloff in sharpness towards the corners, but I’m not sure I can detect it! Maybe the pine needles at the far right are a bit soft. This is a pretty “easy” shot to secure sharpness as the deviation is quite low, (the nears are rather far away) but I would be surprised if I changed the aperture off the default f/22 hyperfocal setting. I do think the rock and ground appear sharper than the objects in the far distance, but I’m suspecting that this is more due to the haze and lack of high spatial frequency information in the distance rather than the Sputnik having overly relaxed hyperfocal markings, although it could be both!
Bryce Hoodoo
Camping Breakfast was shot at f/22 using the standard hyperfocal markings on the TL-120 and I used the entire range (the near distance was 3 meters). I might be able to detect the smallest lack of sharpness in the specular highlight on the blue water bottle, but I’m not sure. I think the exposure was 1/8 of a second, so the people are probably not perfectly sharp. Yes it was posed!
Camping Breakfast
In my opinion, Cloud Inversion does seem ever so slightly sharper than the others, but I’m not entirely convinced it is because of the more conservative DOF tolerance, but rather that the size of the plants at this distance provides a fairly high frequency subject and the low angle of the sun provides fairly high contrast, while non-hyper shots typically have inherently less high frequency detail.
So what do you think? Do you use the standard hyperfocal settings on your lenses? Or do you stop down one extra stop? Or some other technique? Ok, enough nerd talk. Sorry to ruin a perfectly good post with all this talk of sharpness! I certainly don’t think it’s the most important aspect of a successful MF3D shot, but it is fun to discuss.
Ruins Geneva Park, Switzerland
In the middle of the old town in Switzerland.
Guess Where?
(Bike path beside the ?)
Blue in Green
The title is from a fabulous Cool jazz composition and performance on Kinda Blue featuring Miles Davis, John Coltrane and Bill Evans.
Mama C330 twin lens reflex with 65 mm f 3.5 Sekor lens
Alpine Meadow, Sawtooth Mountains
During the convention in Boise, Idaho.
Poetry By Dead Men
In “full confession” mode, I’m here to tell you I have nothing new to offer. I have not made a single image since the Before Times. That’s more than three years without loading the camera, finding the scenes, composing the image, and tripping the shutter. It is a dissatisfying mental place to be, but I just haven’t wanted to create any images.
So from this melancholic zone, I’m reaching into my box of treasures to offer you some images from those whose work has inspired me, and from whom we will be seeing no new images. I’ll try to have some new images for y’all next time around. Continue reading
I’m Moving to Main Street
Picture Window – Winnsboro SC
Obama Gas on Main St.
Nickelodeon on Main St.
Shark Valley, Everglades National Park
One of my favorite spots to photograph wildlife in South Florida is at Shark Valley, a unit of Everglades National Park. The area was originally developed by Humble Oil, and there is a 15 mile loop road (for trams and bikes), largely bordered by water created when they “borrowed” material to make the roadbeds. It is great habitat for American Alligators and many species of large birds, often close enough for photography with conventional stereo cameras. The birds spend most of their time on the OTHER side of the canal, but visit the near side often for brief photo ops.The land proved useless for oil drilling , so was donated to the US government. Fuji Provia 100 i n TL-120
ANHINGA PAIR This image shows two Anhingas (Anhinga anhinga is the scientific name, one of my favorites.) They are excellent underwater swimmers due to lack of oil waterproofing on their feathers; afterward, they need to spread their wings out to dry in an iconic pose.
GATOR CAMO This American Alligator is peaking out from under the floating vegetation as it swims down the canal.
GREAT BLUE HERON AT SHARK VALLEY. This heron is posing at the edge of the canal.
CYPRESS AND BROMELIADS: This was taken in a nearby area, part of the Big Cypress National Preserve. The Cypress trees are conifers but deciduous, dropping their needle-like leaves in the winter, greening up again in the spring. The Cardinal Plant with its bright red bracts is a type of bromeliad (aka pineapple family)
Air Power
Photographed at a New York Pinup Club event at the American Air Power museum in Farmingdale NY. TL-120 with Vivitar 285H fill flash. Ilford Pan F processed with DR5. DR5 recommended rating the Pan-F at ISO 25. I believe this was a half-second exposure at f16. It’s challenging to get sharp portraits at the long shutter speeds these low ISOs require.