Prague Tarmac

Vatslav Havel Airport, Prague

Vatslav Havel Airport, Prague

This image was taken with twin Lubitels again. This time I did not have my tripod or my mounting bar, and I am pretty sure if I did, I would have drawn a little too much attention in the airport terminal. Instead, I recruited my son Preston to look after one camera. We used a window ledge to rest the cameras on about a meter and a half separation and aimed them at a chosen target. Then we did a count down to fire the shutters, with our fingers on the lense’s shutter release. (I didn’t even have cable releases with me. just the cameras, to protect the film inside from the harsh baggage X-ray). We figured the shot was spoiled because both of us managed to turn the camera 45 degrees on the slippery aluminum window frame when we tripped the shutters. To our surprise, they both came out perfect. the shutters must have closed before the cameras slipped. On top of that, the cameras were aimed so well that I could align the chips in my largest mounts.

The plane in the foreground is Poland’s “Air Force one”. We had just watched the plane arrive to a crowd of reporters and photographers gathered on the tarmac to greet the Polish President or Prime Minister or some such, coming to town for some summit talks. They had all cleared out before we could get the cameras set up.

Here is a quiz question. How many aircraft can you see in the image?

South Bohemia Town

South Bohemia Town

Southern Czech Republic

We were on our way to a different beautiful historic town when we chanced upon this wonderful view. We stopped by the river bank and I set up my Lubitel rig and shot this hyper (about 16″ separation) using my trusty one-cable-release-in-each-hand synchronization method. As usual, it stopped a bird in flight. Provia 100f and almost certainly sunny 16 on this one.

Claybank, Saskatchewan

Thank you so much for welcoming me into your group. I am struck by the great variety present in the folio. There are cha-chas, long night exposures, extreme hyper stereos, multiple exposures, homemade cameras, handheld shots, flash and more. All these different methodologies are used with a vast array of subjects. There is so much to explore with MF3D, and I can’t believe my luck that I’ve stumbled upon it when slide film is still available and this small but dedicated user group exists to support one another in our craft.

Thanks, I’m very grateful!


Claybank, Saskatchewan is home to North America’s best preserved brick making site. The Claybank Brick Plant was operational from 1914 to 1989 and made bricks for many building projects, including the Château Frontenac in Quebec City. The national historic site is open for tours during the summer, but you are able to visit the clay hills any time.

Shortly after receiving my Sputnik, I tried to think of locations near me which would provide good stereo photographic opportunities (a somewhat challenging task on the bald Canadian Prairies!) Claybank occurred to me as a unique place to photograph with its derelict brick-making plant and its eroded hills. I hoped that using black and white film would communicate a kind of neglected feeling about this old place.

All images taken in the Spring of 2016 on PanF+ except for Kilns which was Delta 100.

Continue reading

Red Rock Canyon – Waterton Lakes

A29 - Red Rock Canyon - Waterton LakesThe red rocks provide an unusual background to this otherwise typical scene of people relaxing while enjoying an idyllic scene. The alluvial rocks in the stream bed are not red like the canyon, and have been carried down to the canyon from up the mountain.  We fell in love with Waterton Lakes National Park in south-western Alberta during this our first visit. Original slide taken June 7, 2015 with a tripod-mounted Heidoscop using Provia 400X exposed at 1/160 at f16. This was my last roll of Provia 400X; it is sorely missed.

Ghost Trees, Upper Geyser Basin – Yellowstone

A29 - Ghost Trees, Upper Geyser Basin - YellowstoneThese white dead trees create an otherworldly scene around many of the geysers at Yellowstone. I am not sure why living trees are growing amongst them: are the dead trees silicified and preserved, to be joined by the living trees when they succumb to the harsh environment; or perhaps the conditions have changed allowing a new generation of trees to survive; or perhaps the dead trees were burned in one of the many forest fires that occurred at Yellowstone before being covered in the minerals expelled by the geysers. Original slide taken June 1, 2015 with a tripod-mounted Heidoscop using Provia 400X exposed at an estimated  1/250 at f25.

Belgian Pool – Yellowstone

A29 - Belgian Pool - YellowstoneThe Belgian Pool was named for a tourist from Belgium who was killed in 1929 after falling into the pool. Enthralled by an eruption of Grand Geyser, the unfortunate man apparently wasn’t watching where he was stepping. The range of colors is caused by the variation in the composition of the microbial mats caused by the change in temperature at different parts of the pool. (The colors would have been more intense with polarizing filters but I don’t have two polarizing filters. This more intimate scene is more effective with the regular lense separation of the Heidoscop than the shots I did of Old Faithful and other majestic scenes in Yellowstone and the Grant Tetons, most of which would have benefited from hyper stereo.) Original slide taken June 1, 2015 wit ha tripod-mounted Heidoscop using Provia 400X exposed at 1/200 at f22.

Three Lonely Crosses

A29 - God Bless AmeDo these three crosses stand in memory of three people that lost their lives at this lonely crossroads? If yes, what complex lives are reduced to these simple white crosses? What happened? This shot was taken at intersection of US 287 and MT 200, north of Wolf Creek, Montana. The crosses are not present in Google streetview from June 2009. Original slide shot June 6, 2015 with a tripod-mounted Heidoscop using Provia 400X exposed at 1/160 at f25. (I was going to call the image “God Bless Ame”, after the billboard, but changed my mind as I felt it was going to change my intent.)

Carousel Follow Pan

WSF_Carousel_2_225x190This was another experiment to do something a little different with a stereo image. I tried following the ride as it was moving to get a crisp subject with a streaked background. Can’t claim success, but I’m encouraged to keep a’tryin’. One of the challenges was the lighting, which was a combination of fluorescent and tungsten. The original film I got back was awful to look at — super saturated ugly yellow-orange where you should see white. With some experimentation I settled on two filters stacked — one fluorescent and one blue. I think it was an FL-B and an 80A. If I remember right, the ideal exposure would have been 1/15th of a second but I couldn’t get there with my filters, even with pushing the film. I think these were shot at 1/8 second. I could probably get there with a flash that’s gelled for tungsten and fluorescent. Maybe next year! I’m not sure if this is the exact same image that’s in the folio (I sent some images in by mail and didn’t note exactly which scans they matched!). TL-120 with Provia 400X pushed to the limit.

Aspen Abstract

AspenAbstract_5_225x221This was a ‘proof of concept’ experiment in creating an abstract 3D image. It isn’t all I had hoped it would be, but it isn’t discouraging me either! Taken with the TL-120. Don’t recall the settings (I’m writing this after the slide was sent in, so answers could be on the mount!). Probably something like a quarter or eighth of a second exposure. Camera is swept down, hopefully level, and the shutter pressed when already in motion. I also don’t know if this image is the same one as the slide in the folio, but it’s in the same spirit.

Retirement of Folio B

IMG_0856aLet it be known that in the spring of the year 2016, MF3D Folio B was merged into Folio A. It came close to happening in 2008, but we got eight more years out of ‘er and it was a good run. I’ve built a new, larger box to house our combined works.

Some images from the last round of B were moved into A. These were re-labeled as such on these pages and are included in the Folio A category. A handful of images from the last round of B were returned to the artist under separate cover. These remain listed here in under Folio B.

Flowers on Stone

Juneau is a gold mining town. WA070Every where you turn, you find remnants of the placer and hard-rock mining. South of Juneau, a pier stand abandoned in the water. Its pilings are bleached and trees grow from its surface. On the shore stand the pillars which supported the rail-line out to the pier.

When it was a working facility, the ships from Seattle would dock here in Dupont to offload their cargo of dynamite. It would be trundled down the rail-line to an elevated warehouse along the shore. From there, smaller loads would be transported by boat to the mines in Treadwell, Douglas, and Juneau.

Excepting the iron bits, the pier, dock, and warehouse were built from local materials. This image may be better named, Flowers From Stone, as the concrete is covered with the efflorescence from the beach sand and gravel.

I tried to set the focus and aperture to let the distant pier fall out of focus. I think I could have opened the aperture a bit more.