Sunset at Addicks Dam, Houston, Texas

by dorothy mladenka

The place: Addicks Dam ( & reservoir), Houston, about 3 miles from my house.

Time: winter (notice trees)

Camera: Lopp-ified spud on tripod

I will say we can have some pretty cool sunsets here. This is a favorite place for hiking and fishing. Not sure if the fishing is any good. Since it is so close to our house we frequently go here. The Addicks Reservoir and Addicks Dam in conjunction with the Barker Reservoir prevent downstream flooding of Buffalo Bayou in the City of Houston. In addition to the Reservoir’s flood damage reduction mission, recreation and nature observation opportunities abound through the approximately 26,000 acres (105 km²) of land that makes up Addicks and Barker reservoirs.

Buffalo River National Park, Arkansas

by dorothy mladenka

The year: 2005

The place: Buffalo River National Park, Arkansas

The weather: very foggy and smoky.

America’s First National River

 

Established in 1972, Buffalo National River flows freely for 135 miles and is one of the few remaining undammed rivers in the lower 48 states. Once you arrive, prepare to journey from running rapids to quiet pools while surrounded by massive bluffs as you cruise through the Ozark Mountains down to the White River.

It is a spectacular place. However, the area was in drought conditions when we took our trip. People who were canoeing had to portage their craft in many places. No motor craft is allowed on the river. Also, there were wildfires in  New Mexico with the smoke traveling northward. Most of Arkansas was smoke shrouded that summer. We did not do a water trip and saw very few people in canoes. We had a good trip in spite of the weather conditions.

The Buffalo River is connected to the White River, which is connected to the Mississippi, and laps up on the beach of the Gulf states.

The image was shot with the Lopp-ofied spud.

Seattle Public Library -3shots

by Frank Roberto

The work of Frank Roberto of Bellevue, Washington

I fixed the focus in my Sputnik & headed to the library.

Sorry, I don’t have a scan of the images.

Hey here’s how I fixed the focus. With scotch tape!

Using tape as a temporary ground glass to check lens focusing

and

Using a rubber band to hold open Bulb mode

 

 

 

View from the 101 Building – Taipei, Taiwan

by Jim Harp

May 2012

This is the view from the observation deck of the 101 building which is the tallest skyscraper in Asia.   This was a cha-cha shot with a TL-120 using Provia 100F pushed one stop.   I used a four foot separation, which is quite a bit less than the “1/30” rule would dictate.  While I don’t think this separation would produce satisfactory depth in 35mm or digital I feel that it works well for medium format.   Medium Format’s high level of detail provides plenty of depth cues and there’s none of the miniaturization effects that a 20 foot separation would have created.

 

“Forgotten Old Relic Discovered”

by Steven Lederman

  Many acronyms have been created for the letters in “Ford”.  Most of them are unflattering.  I’m a big Ford fan, so I’ve created a positive acronym for F.O.R.D. – “Forgotten Old Relic Discovered”.  This old Ford is resting peacefully by the side of the road in Crawfordville, Florida.  I bought some infrared filters for my TL-120 and shot a few rolls of Kodak Aerochrome on that trip.  This is one of the results.  This particular strain of Aerochrome can be (and was) processed in E6 chemistry.  The film is rated at 400, and I took exposure readings through the TL-120’s meter.  The metering lens also had an infrared filter on it.  I much prefer to photograph old wrecks and decaying cars over restored vintage vehicles (even though I do appreciate restored vintage vehicles).  It’s been said many times, but if only these old rust-buckets could talk!

“THE COLOUR OF DEBRIS”

by Steven Lederman

  I had my TL-120 down at Toronto’s waterfront and I was attracted by the myriad of shapes, textures and colours (or colors, if you happen to reside in The States) that were migrating towards the shoreline.  I kept a tight composition with the intent of creating a sort of in-camera collage.  I wanted to fill the frame with as many of the various and sundry debris as I could, illustrating the contrast between man-made and natural debris, without necessarily establishing an indication of their location.  This was shot on Velvia 100 using the TL-120’s built-in meter.

“KENDREW DISTRICT 8”

by Steven Lederman

  I used to travel to Upstate New York quite frequently.  My friend Erich Hadfield has over 250,000 78 rpm records piled up in two barns about 20 minutes apart there.  After I purchased my TL-120 I started taking it on my record buying trips instead of my Realist.  This photograph is one of a series of shots of an old abandoned boarded-up school house.  On the side of it is a large pentagram-type star.  I was drawn to this school house because of all of the history, memories and stories it contains.  I tried to imagine what this place was like when it was operative and thriving.  I like the depth between the viewer and the school house, but I’m not crazy about the soft foreground grass.  I’m considering re-mounting this one in a cardboard landscape mount (if I can get my hands on one) and masking out as much of the soft-focus grass as I can.  I shot this on Ilford Pan F Plus, and it was processed by dr5.  I shot the roll at whatever ASA his site suggests for this film.

“TEXTURES”

by Steven Lederman

We used to live in an old Victorian house in downtown Toronto.  Access to the garages was via an alley, and that’s where I found the door in this photograph.  The door served as an entrance to someone’s garden, and I was drawn to the textures of the weathered wood, tarnished metal, and peeling layers of paint.  This might’ve been one of the first shots I took with my TL-120, or it might’ve been shot with my Sputnik – I’m not too sure.  What I do know is that around this time my local lab stopped processing AGFA Scala, and I wanted to determine where I should send my Scala rolls in the future.  I shot a few rolls and sent a couple to dr5, and a couple to Mainphoto.  This is one of the shots from a Mainphoto roll.  Washed out, not a lot of contrast.  I think it has a vintage aged look to match the textures on the door.  It would have been a very different shot had dr5 processed it.  Not necessarily better, but different.

MOG Walkway

by Bob Venezia
MOG Walkway #1

Looking up from a walkway outside the Museum of Glass in Tacoma, Washington.

Yeah, not a whole lotta depth. But I took it and you’re gonna look at it!

It was a bit of a challenge to shoot as I wanted the lenses parallel to the ceiling and it was an awkward position from which to check my framing.

TL-120, 1/2 second at f19, Provia 100F. Taken on New Year’s Eve 2009.