Ships of the Desert

My travel trailer called a Bowlus Road Chief was built in 1935 and the house called “Ship
of the Desert” was built in 1936, both of the Streamline Moderne movement.  I set up this shoot early in the morning but didn’t get out the 3D camera until the sun came up.  For those interested in the weird trailer you can find information at my site www.openthinkinc.com/bowlus

Using my 3DWorld probably f16 at 1/125 Provia F

Kalalau Sunset #5

Kalalau Sunset #5This spot was suggested by Robert Hitchman in his Photograph America newsletter. You are looking toward the rainiest place on earth. As such, by the time you drive to this vista for a sunset shot, you have no idea what conditions you’ll find. This is at the Kalalau Lookout, about 17 miles up road 550 on the island of Kauai. I’m standing on a sidewalk behind a big metal rail. Nonetheless, the view there is stunning.

I can be dense but sometimes I’ll learn something from experience. I was at this spot two nights and the first time there was a cruise ship hanging out in the water below. I thought I’d wait for it to get out of my shot before I pulled out my good film cameras so I started shooting with my digitals. Now that I see those digital shots I am kicking myself. The cruise ship at that distance just becomes an iconic ship, and it looks like it’s sailing away from Eden. I think this is a beautiful picture but that was a beautiful picture that told a story and I’m really sorry I missed it.

Misty Waimea Hills #3

Misty Waimea Hills #3Some months back I was trying to figure out how to use a neutral density graduated filter with my TL-120. I knew I could get the round, screw in type, but that limits the composition of the image. At some point I had a brainstorm that the cokin style X-PRO series filters were big enough to fit over both lenses. So I found a used filter holder and it was indeed big enough to fit over both lenses. Next I had to find someone who had X-PRO sized ND grads. The place I found was in the UK and they claimed they had Lee Filters in X-PRO size. I thought this had to be a misprint because I could find no evidence anywhere that Lee had ever made such a filter. But after several emails to the UK company, the rep assured me they filters were real, so I took the plunge. My best friend friend build me a mount for my camera and we devised a system for getting the filter set properly (since you can’t see through the taking lenses).

This image has some gratuitous depth in the foreground which I included because a hyper didn’t make sense with the TL-120. Other than that, I really like this image. It was taken on the road that goes up Waimea Canyon, just past the 3 mile marker, on the island of Kauai. I used a 3 stop ND grad to darken the sky. It also got me some misty hills which is an effect I’ve always wanted to capture.

Self Portrait with Bubble (Bubble Lights 2.4)

Self-Portrait with BubbleOur fearless leader John has suggested we all enter self-portraits. So here you go. A couple years ago I was preparing to have a photo session with my friend (and master bubble blower) Tom Noddy. I wanted to work out the kinks before Tom came over so I experimented. Can’t remember if I had a digital slr at the time but that would have been invaluable. I’m sure I took readings from a flash meter plus I did some tests for DOF with a tape measure running away from the camera. My memory is that the tape measure showed focus on the inch numbers 28 through 32 but the notes on this image indicate a wider range.

This is shot with the TL-120 with Provia 400X, 1/60th of a second at f22. The focus was cranked to the .8 marker. The notes indicate that my face was at 32″, the bubble at 24″. There was a large potato masher style flash aimed at the ceiling and a Vivitar 283 equipped with a lightsphere (yes, I bought one of those silly things). There was black velvet draped behind to limit the depth in the scene. Shot in my dining room.

Wall

In some earlier folio offerings, I’ve shown the raining ceilings and the smooth rocks. This image is all about the ice.

Up close and personal with the face of the glacier, you can see the facets and scallops created as it melts. The sand and rock in the ice has possibly been there for thousands of years. Its journey is nearly over and it will soon melt out and fall to the ground.

I’ve been trying some different methods of duplicating slides. This is a Gammatech duplicate made from a flat-bed scan on my Epson 4990. While it isn’t bad, it can’t compare with the original. But, for $10, it certainly isn’t bad.

August, 2010. Tripod mounted TL120-1.

First Submission

Ice Fog

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/60

Taken at the confluence of the Fox River and Lake Winnebago.  It was 20 degrees and a fog had just lifted leaving the trees wonderfully coated with crystals.

Marina

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/125

Neenah Marina, Beautiful Clear summer day

Mt Rainier and Stream

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/125

8/4/2010  Wildlfowers, Paradise , Mt. Rainier.  I love this place and the contrast in scale and beauty between the wildlfowers and the magnificent volcano.

Mt Rainier and reflection lake

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/60

8/3/2010 0645   the first moments of the day and a still reflection lake.

John Long

Kyuquot Seaweed

Kyuquot Starfish

Treehouse

Kyuquot Fog

  • Kyuquot Seaweed

I took this with my trusty 3D World with Provia F probably at f11 or f16 which is my standard f stop.  I always use a tripod so exposure was 1/8 or so since it was early in the morning.  I have been shooting seaweed at low tide for about three years now and it always fascinates me the saturation, colour and abstract design.  Kyuquot is a very small village on the west coast of Vancouver Island in BC where I spend my summers.  There are no road and everyone only uses boats to get around as we live on 11 different islands.  There is a post office, general store, clinic, hotel, small restaurant, and boat through espresso bar… what more do you want?

  • Kyuquot Starfish

I also took this with my  3D World with Provia F probably at f11 or f16  at 1/15 or so.  I found this little starfish at low tide and found it arms reminded me of Andre Kertesz, Satiric Dancer.

  • Treehouse

I took this with my Rolleidoscop with Provia F not sure of the exposure.  This is a treehouse room in a unique hotel that is in the trees in Southern Oregon, kind of like Swiss Family Robinson.  The place is called Out’n’About Treehouse Treesort for those interested in an interesting adventure:)

  • Kyuquot Fog

3D World with Provia F probably at f8 or f11,  exposure was 1/2 as it was dark.  I love when the fog rolls in and it is best to stay put and photograp.

Dorothy Mladenka

  • Old City Cemetery – Columbia, Texas
    Taken with a TL120-1
  • My Old House!
    Canada, B&W Reversal, Taken with a Sputnik
  • Rocky Mountain National Park Bull Elk
    2009 with a Sputnik
  • Waterfall in Idahoe Springs
    Colorado, July 2009, Shot with a Sputnik

David Lee

  • Oak Tree
    Cameras – A pair of Bronica SQA’s, 150mm lenses
    Separation – 2 feet.
    Film – Fuji Provia 100F
    The image was made in Del Puerto Canyon between Patterson and San Jose, CA.
  • Trees in Water
    Camera – 3D World TL-120
    Film – Fuji Astia
    The image was made in the Joe Domecq Wilderness Area off Highway 132 near LaGrange, CA.
  • Porch Windows
    Camera – 3D World TL-120
    Film – Fuji Provia 100F
    The image was made in Bodie, CA, the largest ghost town in the United States. This is the Conway House.
  • Two Boys
    Camera – 3D World TL-120
    Film – Fuji Provia 400X
    The image was made at the Boardwalk in Santa Cruz, CA.

Jim Harp

  • Seattle – August Sunset
    TL120 on tripod, Provia 400X ½ second at f/22
    Taken August 2009, this was a candid shot. I noticed this guy was very still and thought it would be interesting to contrast that with people moving in the background. I use a Hasselblad waist level finder, so it’s very easy to take pictures unobtrusively.
  • Terminator
    TL120 with half power Vivitar 285H flash, handheld, Provia 400X 1/60 @ f/22
    This is the skeleton of a T-800 Terminator Cyborg. Furtunately for me he was in standby mode when I encountered him at the Univeral Studios Hollywood gift shop in August 2008. I go the sense that he was romantically interested in my TL120.
  • Jim and Maureen in the Stocks, Williamsburg VA
    TL120 on tripod, Vivitar 285H flash, 1/4 @ f/22, DR5 processed Illford Pan F
    A can’t miss photo-op at Williamsburg, VA. My daughter Erica was kind enough to trip the shutter after I set the shot up. I rated the Pan-F at ISO 25 as per DR5s suggestion.
  • Wonder Wheel, Coney Island
    TL120 on a tripod Provia 400X 1/250 @ f/22
    I took this prior to the Mermaid Parade, June 2008

Bob Venezia

  • Bryce Trail Colors
    TL-120 • Provia 100F • f/22 • shutter speed unrecorded
    This is an image that was destined for the wastebasket. Most of the image area was boring, showing loose slides of gravel, and the corner of a metal fence I hadn’t noticed. But when I stuck it in a pano mount — magic! I love the subtle colors — it reminds me of an old theatre set. To me it’s alchemy, when you’re able to take something that’s not working and spin it into something beautiful. I like this slide a lot, but maybe that’s because I rescued it
  • Stud Horse Point #4
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f/22 • shutter speed unrecorded
    In October 2008 I took a vacation in the Southwest US. Mandy (my wife) had less time available, so I drove down a week early to Page, Arizona, and spent some time with photographer/guide Jackson Bridges. This is one of the spots we visited. By the time Mandy flew down to meet me, she’d been spared a long drive, and I had an extra week of photography.
  • Blown Glass Cyclone #1
    TL-120 • Provia 100F • f22 • 8 seconds
    One of my favorite subjects is carnival rides at night. This was shot at the Evergreen Fair in Monroe, Washington, August 2009.
  • Waveswinger & Coaster
    Twin Hasselblad 500Cs • 50mm lenses • Provia 100F • f22 • shutter speed unrecorded
    Shot at the Puyallup (pyoo • AL • ip) Fair, September 2008. Cameras were probably butted together as close as possible, meaning about 4.25” separation between lens centers.