Glare From the Noon Light

Yes, this is the noon light, not the moon light. Early in January, the sun doesn’t get very high in our sky. It rakes in very low, and there are often shadows mid-day caused by the sun being obscured by some mountains. In earlier folios, you have seen where the ice meets the land. This is where the ice meets the lake.

Catching the dawn light on the glacier is a tricky business. By definition, it involves starting the mile and quarter trek across the lake (either by skate or by ski) before dawn. It requires a bit of nerve to lace up my skates and set out across the lake in the dark with a pack loaded with camera gear. Once there, in the pre-dawn light, the challenge is to find the image that will be there when the sun arrives.

In this case, I caught the light on the extreme face of the glacier.  There is nothing for scale, but the hummock to the right is probably only four feet high. That makes the face about 30 feet high. The lake ice in front of it (as well as where I’m standing) is a mass of re-frozen crumble. At any time, the glacier may slide forward and wrinkled the ice for many yards. The lake is also littered with bergs which have fallen off the face. If that should happen, the resulting waves will leave broken ice for half a mile. I have never been there when it happens, but the evidence that it does happen is recorded in the ice at my feet.

This was shot with my TL120-55 on a tripod in January, 2010.

Liz 303

Fuji RAP 100F, f22, 1/2sec exposure, studio flash and some ambient light, using twin Hasselblads with 80mm lenses, 4.5″ stereo separation.  Original slide.

Liz was a wonderful model that I worked with in 2005.  Aside being a beauty, she was really smart, funny, and very creative.  She had visited the studio several times for the purpose of artmaking, and had each time remarked how much she loved this transparent vinyl chair that I had.  Well, one day I took her up on this, and asked her to show me how much she loved the chair.  I told her the chair had worked up the nerve to get naked with her.  Thus we produced some interesting images.  After making love to the chair via some traditional positions, I suggested the chair might enjoy receiving oral satisfaction from her.  She seemed game for anything.  Liz was a big flirt, and I had to control myself carefully…

HAPPY NEW YEAR!

Williamsburg Bridge

Fuji RAP, f11 (?), 1 sec. exposure in available light, using Sputnik on loan from Chuck Holzner. Camera stabilized on walkway/surface of bridge.   Slide in folio is original film.

Cycling over the Williamsburg bridge to visit someplace in Brooklyn, I took interest in the elaborate riveted steel trusswork along the way.  It was very cold, and I had no tripod.  I placed the camera on ground and tried to stabilize it with a pocket knife acting as a shim to get the angle.  Aim and thus composition was guesswork.  I would have wanted a longer exposure/smaller aperture, but the rig was shaky, so I dared not.  Luckily, it was wintertime, so the traffic was light, and I was not reported to the TSA or other anti-terrorist authorities as a person of suspicion – it’s sad what one has to be afraid of these days.

Coiner’s scrap yard

Tech: Available light exposure of 1/50sec. on FUJI RVP Velvia 100F film with Sam Smith’s (I think) siamesed Ricohflex on loan from Paul Talbot. This is the original slide.

This is some of the first MF3d photography I have done.  Seeking abstract and textured subject matter, I went to the local scrap metals yard.  Not only was it very cold out, but the picture I found was of some scrap (in foreground of this view) very close to where a crane was working, making loud clanking and thudding noises.  I needed to face away from the crane, could not monitor it, and so made my exposures with some apprehension for my safety.

First Submission

Ice Fog

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/60

Taken at the confluence of the Fox River and Lake Winnebago.  It was 20 degrees and a fog had just lifted leaving the trees wonderfully coated with crystals.

Marina

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/125

Neenah Marina, Beautiful Clear summer day

Mt Rainier and Stream

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/125

8/4/2010  Wildlfowers, Paradise , Mt. Rainier.  I love this place and the contrast in scale and beauty between the wildlfowers and the magnificent volcano.

Mt Rainier and reflection lake

Camera: 3D World TL120 Film: Fuji Velvia 100

f16 1/60

8/3/2010 0645   the first moments of the day and a still reflection lake.

Presidio County Courthouse, Marfa, Texas

This is the original courthouse in Presidio County, Texas built in 1886. It was restored a few years back. Too bad I couldn’t have people in it as it would be more interesting, like a cop taking in a suspect. But this was early on a Sunday morning. I used the TL120. Settings are rarely remembered. Marfa is the town where the movie “Giant” was filmed. Also, it is well known for the Marfa lights, a nighttime phenomena that we didn’t get to witness.

John Long

Kyuquot Seaweed

Kyuquot Starfish

Treehouse

Kyuquot Fog

  • Kyuquot Seaweed

I took this with my trusty 3D World with Provia F probably at f11 or f16 which is my standard f stop.  I always use a tripod so exposure was 1/8 or so since it was early in the morning.  I have been shooting seaweed at low tide for about three years now and it always fascinates me the saturation, colour and abstract design.  Kyuquot is a very small village on the west coast of Vancouver Island in BC where I spend my summers.  There are no road and everyone only uses boats to get around as we live on 11 different islands.  There is a post office, general store, clinic, hotel, small restaurant, and boat through espresso bar… what more do you want?

  • Kyuquot Starfish

I also took this with my  3D World with Provia F probably at f11 or f16  at 1/15 or so.  I found this little starfish at low tide and found it arms reminded me of Andre Kertesz, Satiric Dancer.

  • Treehouse

I took this with my Rolleidoscop with Provia F not sure of the exposure.  This is a treehouse room in a unique hotel that is in the trees in Southern Oregon, kind of like Swiss Family Robinson.  The place is called Out’n’About Treehouse Treesort for those interested in an interesting adventure:)

  • Kyuquot Fog

3D World with Provia F probably at f8 or f11,  exposure was 1/2 as it was dark.  I love when the fog rolls in and it is best to stay put and photograp.