Michele + Jet in Philly (Zagar A208)

by Boris Starosta

Sometime around 2017 we visited Philadelphia to take in a concert by Raffi, whose music Jet just loved to pieces. It was the furthest South that Raffi had ever travelled in his very long career of live performance for young audiences (Raffi is Canadian). Raffi is getting pretty old these days, so we jumped at the chance to go see him. Of course, a stereoscopic angle had to be included, so I undertook to find some of Isaiah Zagar’s thousands of murals. He has practically covered Philadephia with these distinctive works, which have a lot of stereoscopic interest, on account of the liberal use of bits of mirror. Learn more about Zagar’s opus here: https://www.phillymagicgardens.org/about-philadelphias-magic-gardens/about-isaiah-zagar/
Photography was done with a Sputnik shooting Velvia 50. But the weather was not as bright as I had hoped for. On the ground you can see my test exposure rig, a twin rig Sigma DP1 Merrill.

Ian Andvaag D25 submission

by Ian Andvaag

I’m a bit short on time, so my comments on my submission are a bit sparse, my apologies. My first two submissions this round are from Narrow Hills Provincial Park. I wish Fallen Pine was a half stop darker. What’s your technique for metering? I have a Pentax Spotmeter V, but I don’t think I had very good technique as many of my slides were overexposed when I used it. I mostly use a Gossen Luna Pro F nowadays, but I would like to up my game and learn how to spot meter properly. If any of you have tips or resources, I’d be glad if you’d share them with me.

Jade Lake Ridge. Tl120-1, RDP III

 

Fallen Pine, TL-120-1, RDP III

Next is Cattle Gate, from Grasslands National Park. There is an exposure mismatch that I can detect in the sky, not sure why this is as this was on my TL-120. Maybe the batteries where getting low? Has anyone else experienced this? I don’t think I’ve noticed it on other shots I’ve taken since.

Cattle Gate, TL-120-1, RDP III

Finally, a photo from the Saskatoon Exhibition. I don’t think this is as good as Bob and Timo’s slides of the fair, but I did enjoy going and taking some nighttime photos of the rides a few years ago. I wish I could control the lens flare a bit better, but I guess it comes with the territory when you shoot directly into bright lights.

Mach 3 & Water Race, TL-120-1, RVP 100

Scrutinizing Sharpness (Ian Andvaag A33)

by Ian Andvaag
For this loop, I wanted to get some feedback on sharpness. I’ve been working through some of Mike Davis’ spreadsheets and trying to determine if I’m leaving a meaningful amount of sharpness on the table by using a TL-120 or Sputnik. As I understand it, Mike’s contention is that it is not possible to get critically sharp slides with appreciable depth using standard 60-65 mm stereo base and normal FL lenses. I’m rather surprised by this contention after having seen many fantastic slides taken with TL-120s and Sputniks, but I know it’s easy for one’s eyes to be fooled, and I would guess that 95% sharpness looks close to 100% sharpness. I will say that I was particularly struck by David Lee’s Yosemite Fall slide that was included by John Thurston this loop, which seems impossibly sharp, and was not taken with a standard stereo base. I believe the proper way to investigate sharpness would be to shoot some scenes with resolution test charts at various distances and then to side by side A/B comparisons with the resulting slides in a viewer. I wish I could ask Don for advice, I know he occasionally did tests like this 🙁

 

With all this in mind, I picked out several slides which I personally believe to be quite sharp, and I would appreciate any feedback from others about any perceived lack of sharpness. Cloud Inversion should probably be considered as the “base case”. I believe the nears were around 50′ and I focused around that point, shooting at f/16 I believe. I believe this should secure more sharpness than the eye is capable of detecting in a standard viewer. I don’t really know anything about a cloud inversion, maybe this should better be called thick fog that settled into the valley.  Anyway, it was rather unexpected and interesting to see when I woke up to photograph at sunrise. There is a bit of retinal rivalry in the clouds and shadows as this is a chacha with a tripod and it takes some time to set up the tripod and adjust the framing. Apparently quite a few dinosaur fossils have been found in these badlands.

Cloud Inversion

 

I perceive Gem Lake Reflection to have a high degree of sharpness, however I don’t think it is objectively sharper than any of my other standard TL-120 slides. I believe the perceived sharpness is largely due to the adjacency effects caused by the high acutance first developer, along with the fairly visible grain.

Gem Lake Reflection

 

Bryce Hoodoo, yes this is a Sputnik shot, and there probably is some falloff in sharpness towards the corners, but I’m not sure I can detect it! Maybe the pine needles at the far right are a bit soft. This is a pretty “easy” shot to secure sharpness as the deviation is quite low, (the nears are rather far away) but I would be surprised if I changed the aperture off the default f/22 hyperfocal setting. I do think the rock and ground appear sharper than the objects in the far distance, but I’m suspecting that this is more due to the haze and lack of high spatial frequency information in the distance rather than the Sputnik having overly relaxed hyperfocal markings, although it could be both!

Bryce Hoodoo

 

Camping Breakfast was shot at f/22 using the standard hyperfocal markings on the TL-120 and I used the entire range (the near distance was 3 meters). I might be able to detect the smallest lack of sharpness in the specular highlight on the blue water bottle, but I’m not sure. I think the exposure was 1/8 of a second, so the people are probably not perfectly sharp. Yes it was posed!

Camping Breakfast

 

In my opinion, Cloud Inversion does seem ever so slightly sharper than the others, but I’m not entirely convinced it is because of the more conservative DOF tolerance, but rather that the size of the plants at this distance provides a fairly high frequency subject and the low angle of the sun provides fairly high contrast, while non-hyper shots typically have inherently less high frequency detail.

 

So what do you think? Do you use the standard hyperfocal settings on your lenses? Or do you stop down one extra stop? Or some other technique? Ok, enough nerd talk. Sorry to ruin a perfectly good post with all this talk of sharpness! I certainly don’t think it’s the most important aspect of a successful MF3D shot, but it is fun to discuss.

COVID Road Trip #1

by Steven Lederman


As soon as the borders opened, I booked tickets for “The Presidents’ Heads”. My visit took place in November of 2021. I plan to visit the site again for one of the offered light-painting workshops.
“Bedrock For Bonzo” – TL-120-55, expired Kodak LPZ.
“Anti-Vax in Denim Slacks” – I met a lot of nice photographers at the Heads. A pair of them actually told me about a site that would eventually become COVID Road Trip #2. I met one fellow who shook my hand and told me about how much he liked Canada, but then went on to say that he couldn’t go there at present because he’d have to get vaccinated. Then the conspiracy theories began to be spewed. I excused myself from the conversation, claiming that I had to return to photographing before the light faded. – Holga Stereo Colour Flash, some expired film, most likely Kodak.
“Camera Pole Assassin” – when the busts were being moved to their present location, Lincoln toppled off the flatbed and the back of his concrete head exploded. Art imitates life. TL-120-55, expired Kodak LPZ.
“Concrete Candidates” – TL-120-55, expired Kodak LPZ.

Zach Horton’s D24 submissions

by Zach Horton

Interiors

Part of a “cinematic,” semi-narrative series.

Model: Anna Fischer
Location: Cathedral of Learning, Pittsburgh, PA.
Camera: Mercury Stereo 12
Film: Provia 100

Victoria Chuah

Experiment with a foreshortened depth plane.  Portrait of the multi-talented Victoria Chuah, currently (2022-23) Miss Virginia.  This was my first shoot with the earliest working prototype of the Mercury Stereo 12.  As a result of this shoot I discovered that one of the shutters was off, resulting in different exposures, but I include this image anyway, since I love it as an experiment.

Location: Pittsburgh, PA.
Camera: Early prototype of Mercury Stereo 12
Film: Velvia 50

Trumpeter Birds

These incredible birds were semi-domesticated by a Wairani family deep in the Amazon.  I had to react in a split second when the one in the foreground momentarily displayed its feathers to me.  This was the only time I ever saw this happen.  I was able to get this shot only because of the zone focusing of the Stereo 12.  It was one of a number of experiences that convinced me of how useful that system is for impromptu and action shots! I am lunging forward and onto the ground while taking this shot, resulting in the skewed horizon.  Not a perfect shot, technically, but one I’m proud of, given the extreme difficulty of capturing this rare moment in the jungle.

Location: Amazon jungle, Ecuador
Camera: Mercury Stereo 12
Film: E100

 

Jungle Path

This path down to the river was built by a Wairani family deep in the Amazon jungle.  I shot this with a Stereo 12 on a tripod, not cha cha.  However, I exposed the left and right sides sequentially rather than simultaneously, to try to capture the play of the shimmering light at the time.  Because of the tripod and otherwise static scene, only the light on the ground is different, producing the shimmering effect.  This concludes my experimental slide set!

Location: Amazon jungle, Ecuador
Camera Mercury Stereo 12
Film: E100

Poetry By Dead Men

by John Thurston

In “full confession” mode, I’m here to tell you I have nothing new to offer. I have not made a single image since the Before Times. That’s more than three years without loading the camera, finding the scenes, composing the image, and tripping the shutter. It is a dissatisfying mental place to be, but I just haven’t wanted to create any images.

So from this melancholic zone, I’m reaching into my box of treasures to offer you some images from those whose work has inspired me, and from whom we will be seeing no new images. I’ll try to have some new images for y’all next time around. Continue reading →

Jim Roy D24 submission

by Ian Andvaag

Please leave your comments for Jim Roy’s D24 submission below this post.
-Ian Andvaag

Netherlands Carillon Marine Memorial

Boris Does Better

Maine White Birch

“Maine White Birch” was taken in my brother’s trailer park several years ago, but the 20 plus birches there have mostly been scoured out by the new park owners. However, the park’s wild turkeys are back and I shot three of them in August, though with a W3 since carrying the Sputnik and Rolleidoscop around is a pain.

 

West is Best

Paul Gillis d24 submissions

by Paul Gillis

Willow in the West Virginia Hills

This crooked old tree is near the Smokehole Gorge in Pendleton County, W. Va. It’s right behind an old farmhouse that my caving club has used as a field house for many years, about a mile up a very rough gravel lane from the South Branch of the Potomac. All 4 of these slides were taken with my TL-120-1 on Provia 100.

Hillside Shack

Not really a shack, but a storage shed, very close to the willow tree above.  Late afternoon in the fall.

Neptune Fountain

In my opinion, Washington’s most impressive fountain.  Officially called “The Court of Neptune”, it is in front of the Library of Congress’ Thomas Jefferson Building, facing the U.S. Capitol.  The bronzes were sculpted by Roland Hinton Perry, and carvings on the masonry of the grotto were done by Albert Weinert.  Perry was inspired by the Trevi Fountain in Rome.  It was finished in 1898, shortly after the Jefferson Building opened.

A Nereid Riding a Hippocamp

One of the two sea nymphs riding mythic sea horses in the Neptune Fountain.

 

Cathedral Basilica of Saints Peter & Paul

by Brian Reynolds
Cathedral Basilica of Saints Peter & Paul
Cathedral Basilica of Saints Peter & Paul

Last year was our 25th wedding anniversary. Those of you who were in the original MF3D Folio II might remember my honeymoon stereos from Ireland. For this trip we went to Trenton, NJ, where my brother-in-law (who married us) is currently a Bishop of the Episcopal church, so Liz could play the pipe organ there. And then it was on to Philadelphia.

This Roman Catholic cathedral was opposite our hotel in Philadelphia. We hadn’t really thought to try and get in see the organ here. We did see the Wanamaker Organ, but I didn’t think I could get a good exposure without a tripod.

My slides in this loop show a walk on a nice day in Philadelphia to City Hall.

This was taken with a handheld (string monopod) Sputnik on Fujifilm Provia 100F.