Category Archives: FolioA

RACK AND PINHOLE

by Steven Lederman

SLederman-RACK-AND-PINHOLE For loop 28, I’ve decided to submit four different images captured with four different medium format stereo cameras.  This first image was captured with my “Rollei Pin” camera that I created for this year’s Worldwide Pinhole Day.  Gary Cullen supplied a junked Rolleidoscop body, and I created a lensboard out of a Wellington Stout aluminum can.  Matt Neima and James Mutch originally sparked my interest in pinhole photography, and this year when I participated in Worldwide Pinhole Day I recruited Ray Dillard into the fold.  You can see the image I submitted to the WWPD gallery here: http://pinholeday.org/gallery/2015/index.php?id=2712

Both of these exposures were 25 minutes and 15 seconds long, 2712captured with The Rollei Pin on Kodak E100S film, and home-processed in my basement.  Now before some of you whine and moan that this image isn’t tack sharp (after all, it was taken with a pin, not a tack) just think about it for a moment – this was captured using a beer can for a lens! Here is a picture of the Rollei Pin, along with its lens source (shot with a W3):

SILL LIFE

by Steven Lederman

SLederman-SILL-LIFEThe textures of the various elements on this empty store front caught my eye while I was exploring Toronto’s Junction district earlier this month.  A guy came out of the apartment adjacent to the store and said; “what are you shooting? Cityscapes? This is my store…I guess I should paint it, huh?”  I looked up from my crouched position and said; “no! Not on my account!”  Maybe I’ll go back and shoot a couple of rolls of black ‘n’ white film before the owner decides to turn this derelict store into apartments.

This image was captured with a stock TL-120-1, on Velvia 100 shot at 200 and then home-push-processed in my basement.  The Velvia 100 was actually 22o format – I’ve worked out a winding sequence for the TL-120 that allows me to use 220 film in it as long as the little aluminum sliding door stays closed over the red window.  When I started using 220 film in my TL-120-1 I forgot about the aluminum sliding door and had an entire roll come out with transparent red balls embedded in the images.  I gave the useable ones titles with the word “Mars” in it, i.e. “Mars Needs Gas”.  Each image on the roll looked like it was being invaded by the planet Mars.

LIBERTY FOR ALL

by Steven Lederman

SLederman-LIBERTYFORALLI paid my respects at “Colonel” Harland Sander’s grave in Louisville KY, then drove over to Jerry Lotz’s place to take a gander at his massive collection of stuff.  As luck would have it, Jerry saw me taking pictures and came out to talk about his collection.  I was invited inside to see even more of the hoard, and shot that part of the impromptu tour with a digital stereo infrared rig.

This image was captured with a 1930 Rolleidoscop on AGFA RSX II film, and home-processed in my basement.

CLOSED, HORSE

by Steven Lederman

SLederman-CLOSED-HORSE  There are pockets of Bloor Street in Toronto that are gentrified and developed, and some that are…questionable.  When I captured this image last year I assumed that the restaurant had long been abandoned, but just last week I saw them open and catering to customers.

This was shot with the twinned AGFA Isolette folder that Sam Smith created, on very expired Kodak E100 (no, that’s not an Instagram filter), and home-processed in my basement.

New Mexico Moods

by Jon Hoggatt

Kitch Gitten Place

This Sante Fe shop keeper agreed to have this environmental portrait done in the doorway. The Open shade made Velvia the choice – interior light balanced well by luck.

Crown Jewels

I like shooting store windows – reflections vs. transluscence. Thi one is more about the stuff, the sunflowers, and signage.

Abandoned Adobe

Velvia worked wll for this lighting scenario – side sun. I love how it saturates the colors.

One Man’s Junk

I was absolutely awestruck when I came upon this scene. The picket fence, the metal barn, the broken glass, even the wires in the sky… and wow, what a sky.

 

The Outer Defenses, Kingston Ontario

by Timo

OuterDefenses

This image is of 3 of  the “Martello” towers which are part of the Fort Henry complex in Kingston, Ontario. These towers date back to the War of 1812.

This image is the third MF image I ever shot. It was my test reel of my first Sputnik camera. The day was so bright and clear that it was almost impossible to take a bad image. This shot, taken hand held, sold me on MF. The light that came from the clear sky was so bright that even full shadow was well illuminated.

Spin the light fantastic

by Dale Walsh

WA095Spin the light fantastic is a variation of the expression “trip the light fantastic”.  It comes from the poetry of the English writer John Milton. He is referring to someone dancing nimbly which I thought fits this image well as the lights seem to be dancing in the night sky.

Abandoned House, Mussoorie India

by Jim Harp

Scan000110This was the view from the Plaza hotel in Mussoorie India.   It must have been a gorgeous residence at some point.  You can see that someone is living there, or at least hanging some laundry up to dry.   Mussoorie is in Northern India at the foothills of the Himilayas.

Photographed with a TL-120 using Provia 100F pushed one stop.   I used a pod-support on a deck railing.   I think it was 1/125 @f16.