Tech: Fuji RVP Velvia 100F. Inadequate depth of field – was I handholding? I can’t remember.
This was the shot obtained under the conditions described in #37.
Tech: Available light exposure of 1/50sec. on FUJI RVP Velvia 100F film with Sam Smith’s (I think) siamesed Ricohflex on loan from Paul Talbot. This is the original slide.
This is some of the first MF3d photography I have done. Seeking abstract and textured subject matter, I went to the local scrap metals yard. Not only was it very cold out, but the picture I found was of some scrap (in foreground of this view) very close to where a crane was working, making loud clanking and thudding noises. I needed to face away from the crane, could not monitor it, and so made my exposures with some apprehension for my safety.
I feel like I finally got some good shots of the Tilt-A-Whirl last year at the fair. I like the combination of the magical lights, and the blue collar accoutrements. I like seeing some of the workings exposed (which is why I liked seeing Boris’ socks in the New Years photo!).
I’d been to the Puyallup (pyoo AL ip) Spring Fair on Friday night and saw a poster advertising fireworks on Saturday “at around 9pm.” I made the trek the next night, got there early, scouted where the fireworks would be and what I could get in my foreground, etc. My plan was to shoot with the TL-120, and I started capturing other images while I waited. At 8pm I had just finished a roll in the TL-120 when I started hearing boom-boom-boom behind me. Not knowing how long the fireworks would last, I zipped up my backpack, grabbed both tripods with cameras already set, and hurried over to my spot. I would have done much better with the TL-120, since I would only have to wind one camera, and there’s more to check on the 2 Hasselblads. And sync is not an issue on the TL-120.

This is from my early days with my “Don-Lopp-modified-Sputnik.” We try to visit NYC every other year during the winter holidays. This is from a late-night visit to the NYC library. I spot metered around the scene. It’s quite dark there at night, with a little bit of ambient light from the traffic.
Provia 100F, f22, 80 seconds.

I took a photo trip to the Palouse last year. It’s an area of Eastern Washington/Western Idaho that’s filled with rolling hills and old farms. the combination makes for some striking scenery, with lots of opportunities for photo-graphics. That said, a lot of those opportunities are seized using different lenses. Not an option on my TL-120. But I wanted to include a shot from my trip. It’s a well-worn route for photographers, and this truck was clearly left out front for the photo op. TL-120, Velvia 50, f22, shutter speed unrecorded.
Shot with my home-made stereo camera. Probably f22.

Shot with my home-made stereo camera. Probably f22. This is taken from Mt Baker.


Shot with my home-made stereo camera. Probably f22.
Shot with my home-made stereo camera. Probably f22.
Description Taken with the TL-120 handheld
About the Image This year Texas had the best display of wildflowers I have ever seen. This image was taken near Poteet which is south of San Antonio on some little country road. The tall flowers are prickly poppy with many other varieties.