Tag Archives: DR5

“Tanks A Lot”

by Steven Lederman

This is my brother-in-law, Gordon, and yes ladies, he’s single!  This is another shot from last year’s beer run.  Gordon plays an international online tank game, so we stopped on our way to the beer store in Vermont to shoot an avatar image for him.  I captured a few shots with a Fuji W3, and then I bracketed some exposures with the Stereo Samulette.

I have another version of this shot that I like slightly better, as the background is sharper and there’s an American flag present, but the setting sun washed out some of Gordon’s features and his pose was more rigid, so you get to see this one instead.

I realize there’s a scratch or some sort of anomaly on the left film chip.

This was handheld, shot on HP5 processed by dr5 – I think the f-stop was 16, 1/100th of a second handheld, and the distance and hyperfocal estimation was guesswork (there’s no through-the-lens focusing on this camera).

“General Store”

by Steven Lederman

My brother-in-law Gordon is a bière connoisseur.  He makes regular pilgrimages to Vermont to frequent a specialty store there that stocks micro-brews from around the globe.

Last year I decided I’d accompany him on one of his beer runs to Vermont via the quaint Quebec countryside so that I’d have an opportunity to shoot with my folding medium format camera.  If I did all the driving, I’d have control over where we stopped for a photo op.   I am pleased with how the camera performed.  I enjoy the vintage feel of this shot, marred only by the snout of the more modern vehicle peering out from the rear of the truck bed.

This scene reminds me of the subject matter that my late friend Earl Bennett was attracted to when he painted.  He studied with Thomas Hart Benton in the 1930s and for the most part painted works that dealt with small town, mid-Western life.

This image was shot on HP5, processed by dr5. I wish I could say the shutter speed was 5 and the f-stop was 5, but no such luck.  The f-stop was 32, handheld at 1/100th.

The camera was created by Sam Smith, fusing together two 1950s-era AGFA Isolette II folders.  It has AGFA’s intermediate-level f4.5 Apotar lenses on S-Prontor shutters.  When folded shut, it fits into a jacket pocket.  It’s resplendent in faux ostrich skin.  I wanted to name it “The AGFA Stereo Smith-O-lette”, but Sam liked the sound of “Sam-O-lette” better.   For some reason, when I say “Sam-O-lette” I think of Frank Zappa’s “Camarillo Brillo” and the lyrics; “She had a snake for a pet, and an amulet…”, so since Sam told me to name this camera “whatever sounds good”, I’ve named it “The Samulette”.

All in one place

by John Thurston

Today, we’re going back to the ice but we’re not going to move much once we get there. All of the images here were made within 50-feet of each other. The subject is a fairly stable ice cave. I say fairly because it was created by an active creek so there is water flowing into it. The ground is mud, silt, ice, and gravel and is sliding into the cave and under the glacier. The ceiling is made of ice and is full of mud, silt, and gravel and is falling onto the floor. While I was working, some nice ladies stopped in to visit the cave. I used my Fuji to get a set-the-scene snapshot.

Deep V

In The Groove

Just inside the cave, the layers of the ice are obvious. The younger ice is above, the older ice is denser and is funneling the melt water out to the edge. The running water has carved a Deep V in the ancient ice. The mud and sand is trapped between the layers of ice and is being washed down and dropped on the floor. When working under the ice, the water running down your back is really mud (of various dilutions).

A little to the right, and closer to the ice, In the Groove better shows the layers in the ice and the sand and silt trapped between them. We can also see melt water pouring in to join the creek farther inside the cave.

Farther in the cave but looking a little up, we can see Below the Surface(BW). There is sand and silt embedded inside the ice, and the layers are evident from the back just as well as the front. (Now’s a good time to wish we had carried a helmet with us. The roof is melting, remember?) Finally, we can move a little farther in and get in close. That sand in there has been trapped in the ice for a couple hundred years. It’s just itching to get out so it can slide down into my camera.


Below the Surface (BW)
Below the Surface

All images were created with a tripod mounted TL120-1. I don’t record exposure times but the fastest time used was 1 second. They were shot on Provia 100F, Provia 400X, or Ilford HP5.

“KENDREW DISTRICT 8”

by Steven Lederman

  I used to travel to Upstate New York quite frequently.  My friend Erich Hadfield has over 250,000 78 rpm records piled up in two barns about 20 minutes apart there.  After I purchased my TL-120 I started taking it on my record buying trips instead of my Realist.  This photograph is one of a series of shots of an old abandoned boarded-up school house.  On the side of it is a large pentagram-type star.  I was drawn to this school house because of all of the history, memories and stories it contains.  I tried to imagine what this place was like when it was operative and thriving.  I like the depth between the viewer and the school house, but I’m not crazy about the soft foreground grass.  I’m considering re-mounting this one in a cardboard landscape mount (if I can get my hands on one) and masking out as much of the soft-focus grass as I can.  I shot this on Ilford Pan F Plus, and it was processed by dr5.  I shot the roll at whatever ASA his site suggests for this film.

Jim Harp Self Portrait

by Jim Harp

Shot with a Sputnik  Ilford Pan-F processed by DR-5  Dublin 2006
This was a three to four minute exposure.   You have to look for my face in here, it’s floating in space just to the left of the base of the statue.   I opened the shutter with a locking cable release, walked up to the statue and held a Vivitar 285H pointed at my face at arm’s length and fired it.