Terri had to hold very still, while I manually wound the film and shifted the camera. You can see some rivalry near her adams apple and eyes. I shot the picture “upside down” and wanted her to appear to be flying like an angel (but asleep and dreaming too, go figure). This is some of my early MF3d, from 2001, using a borrowed TLR
Shot sequentially with twin a TLR Rolleiflex on a slide bar. f22? Exposure with flash in studio. Original slide.
David Byrne rigged up this industrial space in NYC with numerous actuators – hammers, motors and similar vibration inducing devices – attached to columns, radiators, roof trusses, etc. Visitors to the installation can sit down at the old organ keyboard, where from they “play the building”. The music/sounds thus created, in combination with the space are very mesmerizing. I was there on two occasions. Once nearly empty (I got to play!), the second time with Spud, very crowded. The effect was different each time, interesting both times.
Above: Fuji RXP, f11 (?), 1-2 sec. exposure in available light, using Sputnik, 80mm lenses.
This is the original slide shot in summer of 2008.
The organ was modified to send signals via electric or pneumatic lines to the various actuators. The music was essentially percussive: lots of clinks and clanks. Only the electric motors near the ceiling, in the trusswork under the skylight, produced “tone” – a dark, rumbling, droning tone.
Right: Fuji RXP, f11 (?), 1/8 sec. Exposure in available light, using Sputnik, 80mm lenses. This is the original slide.